The Great American Unproduced Screenplay

David Ward's SAG headshot, 1985 David Ward's SAG headshot, 1985

Courtesy of David Ward.

I first read Edward Ford?the famously brilliant, famously unproduced screenplay by Lem Dobbs?in 2003, during the first year of a comprehensively unsuccessful attempt to become a professional screenwriter. Our manager gave my writing partner and me a copy, perhaps sensing thematic affinities between Dobbs? masterpiece and the non-masterpiece we had just written (about an alcoholic airline pilot, but not Flight). As happens anytime Edward Ford changes hands, the words ?greatest? and ?unproduced? were both used. Given that the next thing we worked on with this manager was a twin-swapping comedy with a talking car, it?s entirely possible he intended Edward Ford as a cautionary example, and I missed his emphasis on ?unproduced.? But I sure agree with ?greatest.? And so does most of Hollywood; the script has been passed around more or less continuously since Dobbs wrote it in 1978?several millennia ago, in film years?and it?s perpetually about to go into production. In fact, it?s happening once again: As of this week, a trio of Oscar nominees are attached to the project, as producers once again attempt to finance Edward Ford. But regardless of whether it?s ever filmed, it?s one of the great works of American art.

That sounds like an absurd claim to make, because there?s something uniquely shameful about unproduced screenplays. Unpublished novels have a similar air of failure about them, but a manuscript at least has the virtue of being in its final form?at the bottom of a drawer or on a best-seller display at Barnes & Noble, it?s still words on a page. Screenplays, on the other hand, are written to be watched, not read?if it?s still on paper, something didn?t work out. Lem Dobbs, of course, has had plenty of screenplays work out, from his uncredited rewrite on Romancing the Stone to next year?s Robert Redford-directed thriller The Company You Keep. But even if Edward Ford never makes it into theaters, the screenplay makes sense on a bookshelf. I?d put it right next to The Great Gatsby, that other great American work of longing and failure.

Edward Ford?s Edward Ford is a borderline-OCD film fan bouncing around the dregs of Hollywood trying to get work as an actor. He keeps meticulous records on carefully typed file cards not just of the films he sees but also of their casts and the theaters where he saw them?a sort of analog IMDb. Ford has an autist?s ability to remember unimportant details while missing the big picture: In one scene, he tells amused party guests that he didn?t enjoy Olivier?s Richard III because ?It was just a boring remake of a Karloff picture called Tower of London.? But he isn?t your garden-variety film eccentric: He doesn?t meet a charming underprivileged kid, or stumble upon a worldwide conspiracy, or inherit a fortune. There?s no ?inciting incident? or ?call to adventure? in this screenplay. There?s just the passage of time, in all its strangeness and glory.

Which is not to say nothing happens. The script opens in the early 1960s as Edward Ford arrives in Hollywood, hoping to be cast as the bad guy in B-Westerns. As plans go, this is a terrible one: Republic Pictures, the last of the Poverty Row studios, shut down in the late 1950s. But he doesn?t have any real sense of being a man out of his time?he blithely follows other actors auditioning with Gorky and Strindberg with a performance of Lionel Atwill?s monologue from Son of Frankenstein.

The script tracks Ford through two decades of artistic and financial failure: a marriage, a divorce, the deaths of close friends, his entire life happening while he survives on TV dinners and longs for his SAG card. He gets work as a ?waiver,? even further down the totem pole than an extra?there?s an insert shot with a giant arrow identifying his head in a crowd scene?but he can?t get a line. Eventually, he settles into a more or less stable existence playing the villain in black theater productions: crooked white cops, ?Mother? in A Hatful of Rain, and the like. Bad guys, like he wanted. But not exactly like he wanted.

Ford?s story plays out against the parallel lives of his two closest friends from high school, Ben Krantz and Al Foster. Krantz, the most successful of the trio, is a relatively well-known painter, teaching art at UCLA and sleeping his way through the student body. Foster wants to be a screenwriter (?Interest has been shown in my scripts and I've been attending a number of meetings?), but, alcoholic and thin-skinned, he has none of Ford?s ability to shield himself from failure. The script ends with an Adaptation-like recursion: Krantz?s son writes a movie about Ford, who gets a cameo and finally gets his SAG card.

But the plot matters much less than the portrait Dobbs captures of a willful blindness that?s central to human nature. Ford amiably soldiers on as the world changes around him, convinced that at some point he?ll get an agent, a line, a SAG card. It?s not quite hubris; as Ben Krantz says, ?I don't think he knows. He doesn't know. About the road getting narrower ... as you go.? And Dobbs manages to show this happening, Ford?s road getting narrower, in painful detail, while Ford himself doesn?t notice. On any page of Edward Ford, you can say, as Fitzgerald said of Gatsby, that ?his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him.?

Some of the script?s enduring reputation undoubtedly comes from what I think of as the Sideways effect: If there?s one group of people predisposed to like a screenplay about a film nerd who doesn?t succeed in Hollywood, surely it?s aspiring screenwriters. I can certainly attest that Edward Ford resonates more deeply with each fresh failure to sell a screenplay. More than that, though, Edward Ford has grown in my estimation with each screenplay I?ve read over the years. That?s less a compliment to Dobbs than it is a comment on the state of screenwriting: the outsized influence of a few screenwriting gurus has ensured that even the very best screenplays have a certain monotonous predictability to them. Every time I slog through another script that delivers precisely the expected turns and jolts on precisely the expected pages, I have more appreciation for the way Edward Ford?s structure follows theme instead of a template.

But saying it?s pretty good for a screenplay doesn?t go far enough. Though written by a 19-year-old, Edward Ford is one of the few works of art that tackles real, bone-deep, four-in-the-morning terrors. You might not have the talent you need. Success may no longer be available to you. Time will bury everything you care about. These are not things you want whispered in your ear on date night, and they don?t turn studio executives' eyes into dollar signs. But they are essential parts of what it means to be human.

Edward Ford has kicked around Hollywood now for longer than Edward Ford himself, and under similar circumstances. Ford arrived in town a few years too late to star in a Republic Western; Dobbs managed to write what should have been one of the great New Hollywood films in 1978, just as the studios stopped making them. Its life as a cult object began in the early 1980s, when Stuart Cornfeld?now running Ben Stiller?s production company, but at the time working at Fox?read it, loved it, and started passing it around. Steven Soderbergh, who got a copy from Cornfeld, mentioned the script in his sex, lies, and videotape diaries. As Dobbs, now 52, tells me, ?Suddenly every would-be filmmaker in the world, and film journalist, agog at Soderbergh?s ascendance and wanting to read about and emulate him, saw this reference in his book. That's when the?endless?articles and so on started about ?best unproduced blah-blah ...? ? (Adds Dobbs, darkly, ?This was also the moment when ?screenwriting? became the basis of civilization, where before it had been simply a profession and largely unnoticed?).

Source: http://feeds.slate.com/click.phdo?i=80e50448b6b3665366b5a844b00eebc5

uc berkeley harrison barnes brett ratner stevie nicks anchorman capybara duggars

Welcome to the March of the Toys Madness - Blogs - Times Union

Ready or not, the gift-giving season is approaching.

At the Times Union we have been getting product pitches touting wares that could be the hottest toy of 2012, among them Furby ? yes that creepy-looking robo-toy from 1998.

We aim to go beyond the slick hype by offering readers, such as yourself, the opportunity to once and for all determine the Capital Region?s favorite toy of all time. Thus we present the 2012 March Madness-style bracket: March of the toys Madness.

You may be familiar with how this works, as in previous years thousands of readers voted for their favorite TV Christmas special (?A Charlie Brown Christmas?), movie (?A Christmas Story?) and song (?Peace on Earth/Little Drummer Boy? by Bing Crosby and David Bowie).

This year, we asked readers on Times Union?s Facebook Page and our blogs to suggest which toys should compete. (If your favorite toy isn?t listed, it probably means you didn?t tell us about it.) We also researched what others had to say at places like the National Toy Hall of Fame in Rochester, Wired magazine, IGN.com and various other online lists.

We split the 64 contestants ? our largest contest to date! ? into eight mini-brackets: Dolls, Action Figures, Action, Arts & Crafts, Gaming Systems, Games, Old School and Construction. We then seeded the contestants based on how often they were mentioned by readers and in our research (cardboard boxes and Tickle Me Elmos rate highly).

Now it is up to you.

The voting will be the Round of 64, then the Round of 32, the Sweet 16, the Elite 8, the Final Four and then the championship. The winner ? the Capital Region?s ultimate toy ? will be announced in print Dec. 21.

To vote in the Round of 64, click on a bracket category below to go to that page, and weigh in on the four contests happening in each bracket:


Note: This bracket contest is for entertainment purposes only. The Times Union in no way condones any kind of gambling that may arise if, for example, you and your family (or you and your classmates or co-workers or neighbors) should decide to download a PDF of this bracket (see below) and fill it out. We cannot condone having you use the March of the toys Madness! bracket like the NCAA Tournament brackets, each player submitting a filled-in bracket and pitching in a small amount of money, with the person who wins taking home, say, half of the funds, and with the other half of the funds going to a charity of your choice, such as the Times Union Hope Fund. We have no way of preventing any of you from doing such a thing.

Toybracket_64

Source: http://blog.timesunion.com/parenting/18806/welcome-to-the-march-of-the-toys-madness/

Robert Blake BLK Water ESPYs daniel tosh kate upton Jason Kidd All Star Game 2012

Amazing 'Holy Motors' a shapeshifting film - San Francisco Examiner

?Holy Motors? is only the fifth feature film in 28 years by Leos Carax, who is perhaps the most mesmerizing, poetic and baffling filmmaker in France.

His best film, ?Les Amants du Pont-Neuf? ? released here in 1999 as ?The Lovers on the Bridge? ? reached the glorious, grandiose heights of passion that ?Gone with the Wind? and ?Titanic? were praised for.

On the other hand, the amazing ?Holy Motors? is more about the remnants of passion.

  • Starring: Denis Lavant, Edith Scob, Eva Mendes, Kylie Minogue
  • Written and directed by: Leos Carax
  • Rating: Not rated (contains nudity, violence and sexual content)
  • Running time: 1 hour, 55 minutes

Denis Lavant, the gravel-faced star of four of Carax's features, stars as Monsieur Oscar, a mysterious figure with a strange job. Over the course of a day, he rides around in the back of a limo, donning different costumes and applications of makeup for various ?appointments.? He becomes an old lady beggar, a gangster and a dying old man. He puts on a motion-capture suit ? a Cirque du Soleil-esque bodysuit with lights ? and performs some sexualized acrobatics with a female co-star.

He also becomes a vile thing known as ?merde? ? last seen in Carax's segment of the 2009 anthology film ?Tokyo!? ? a bizarre, violent sewer dweller with fire-red hair and a milky-white eye. This creature kidnaps a beautiful model (Eva Mendes) during a photo shoot in a cemetery.

Later, Oscar runs into a woman (Kylie Minogue) who may have been a former love, and who seems to be doing the same kind of job. They share a tender song.

Like many of his fellow French filmmakers, Carax was once a film critic, and his films ponder the nature of films and storytelling as much as they tell stories. He pays tribute to King Vidor?s ?The Crowd? and Georges Franju?s ?Eyes Without a Face.? Edith Scob, who plays Monsieur Oscar's compassionate limo driver, was the star of the latter.

The various segments clearly represent different film genres: the musical, the horror film, the weepie, etc. The movie is, by turns, haunting, moving and shocking.

But Carax also asks questions about the nature of performance. Is Monsieur Oscar performing for anyone in particular, or maybe everyone in general? Does he ever get to be ?himself,? even behind the scenes? In the movie?s most human moments, we see Oscar growing weary, perhaps not even remembering why he?s doing this kind of work.

The movie?s final moments are among its most bizarre, raising more questions than they answer. We all have masks we wear, the movie seems to say, and none of us know truly who we are ? not even talking cars.

Source: http://www.sfexaminer.com/entertainment/movies/2012/11/amazing-holy-motors-shapeshifting-film

ferdinand porsche gregg williams theraflu masters leaderboard frozen four joe avezzano kanye west theraflu

LLNL scientists assist in building detector to search for elusive dark matter material

[ Back to EurekAlert! ] Public release date: 15-Nov-2012
[ | E-mail | Share Share ]

Contact: Anne Stark
stark8@llnl.gov
925-422-9799
DOE/Lawrence Livermore National Laboratory

Lawrence Livermore National Laboratory researchers are making key contributions to a physics experiment that will look for one of nature's most elusive particles, "dark matter," using a tank nearly a mile underground beneath the Black Hills of South Dakota.

The Large Underground Xenon (LUX) experiment located at the Sanford Underground Research Facility in Lead, S.D. is the most sensitive detector of its kind to look for dark matter. Thought to comprise more than 80 percent of the mass of the universe, scientists believe dark matter could hold the key to answering some of the most challenging questions facing physicists in the 21st century. So far, however, dark matter has eluded direct detection.

LLNL researchers have been involved in the LUX experiment since 2008.

"We at LLNL initially got involved in LUX because of the natural technological overlap with our own nonproliferation detector development programs," said Adam Bernstein, who leads the Advanced Detectors Group in LLNL's Physics Division.

"It's very exciting to reflect that as a result, we are now part of a world-class team that stands an excellent chance of being the first to directly and unambiguously measure cosmological dark matter particle interactions in an earthly detector."

The cutting-edge science and technology of rare event detection represented by LUX is of direct interest for LLNL and U.S. nonproliferation, arms control and nuclear security missions, Bernstein noted.

In particular, cryogenic noble liquid detectors of this kind may allow for improved, smaller footprint reactor antineutrino monitoring systems, with application to the International Atomic Energy Agency reactor safeguards regime.

Xenon and argon detectors of very similar design also have excellent neutron and gamma ray detection and discrimination properties, and may assist with missions related to the timely discovery and characterization of fissile materials in arms control and search contexts.

LLNL scientists and technicians have made important contributions to LUX.

Lab staff physicist Peter Sorensen has directed the LUX Analysis Working Group, spent months at the site helping to install the detector, and has written numerous peer-reviewed articles on how to perform searches for a range of dark matter candidates using LUX and related detectors.

Fellow LLNL staff physicist Kareem Kazkaz is the author of the LUX detector simulation package, known as LUXSIM, and has directed the Simulations Working Group for the project. The simulation software embodied in LUXSIM is uniquely well suited for low background detectors of this kind, and has been picked up by other users in the dark matter and nonproliferation communities.

LLNL technicians John Bower and Dennis Carr (who is now retired) both played key roles in the manufacture and installation of elements of the LUX detector, including building the precision-machined copper photo multiplier tube mounting apparatus. Lab safety engineer Gerry Mok performed detailed calculations demonstrating the safety of the LUX pressurized and cryogenic systems under a range of possible accident scenarios. His work was important to the successful safety review of the LUX detector.

The Sanford Underground Research Facility (Sanford Lab), located in the former Homestake gold mine, is owned and operated by the South Dakota Science and Technology Authority, with support from the Department of Energy and the DOE's Lawrence Berkeley National Laboratory. The LUX scientific collaboration includes dozens of scientists at 17 research universities and national laboratories in the United States and Europe.

The LUX detector took more than three years to build in a surface facility at the Sanford Lab. In July, a team of researchers, engineers and technicians installed the detector in an excavated cavern 4,850 feet underground. Nearly a mile of solid rock will protect the sensitive experiment from the shower of cosmic radiation that constantly bombards the surface of the earth. Cosmic radiation would drown out faint dark matter signals if the detector were on the surface.

LUX also must be protected from the small amounts of natural radiation from the surrounding rock. That's why the detector, which would just fit inside a telephone booth, was lowered into a very large stainless steel tank -- 20 feet tall by 24 feet in diameter. That tank has now been filled with more than 70,000 gallons of ultra-pure de-ionized water that will shield the detector from gamma radiation and stray neutrons.

###

For more information about the Sanford Lab, go to www.sanfordlab.org

Founded in 1952, Lawrence Livermore National Laboratory provides solutions to our nation's most important national security challenges through innovative science, engineering and technology. Lawrence Livermore National Laboratory is managed by Lawrence Livermore National Security, LLC for the U.S. Department of Energy's National Nuclear Security Administration.


[ Back to EurekAlert! ] [ | E-mail | Share Share ]

?


AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.


[ Back to EurekAlert! ] Public release date: 15-Nov-2012
[ | E-mail | Share Share ]

Contact: Anne Stark
stark8@llnl.gov
925-422-9799
DOE/Lawrence Livermore National Laboratory

Lawrence Livermore National Laboratory researchers are making key contributions to a physics experiment that will look for one of nature's most elusive particles, "dark matter," using a tank nearly a mile underground beneath the Black Hills of South Dakota.

The Large Underground Xenon (LUX) experiment located at the Sanford Underground Research Facility in Lead, S.D. is the most sensitive detector of its kind to look for dark matter. Thought to comprise more than 80 percent of the mass of the universe, scientists believe dark matter could hold the key to answering some of the most challenging questions facing physicists in the 21st century. So far, however, dark matter has eluded direct detection.

LLNL researchers have been involved in the LUX experiment since 2008.

"We at LLNL initially got involved in LUX because of the natural technological overlap with our own nonproliferation detector development programs," said Adam Bernstein, who leads the Advanced Detectors Group in LLNL's Physics Division.

"It's very exciting to reflect that as a result, we are now part of a world-class team that stands an excellent chance of being the first to directly and unambiguously measure cosmological dark matter particle interactions in an earthly detector."

The cutting-edge science and technology of rare event detection represented by LUX is of direct interest for LLNL and U.S. nonproliferation, arms control and nuclear security missions, Bernstein noted.

In particular, cryogenic noble liquid detectors of this kind may allow for improved, smaller footprint reactor antineutrino monitoring systems, with application to the International Atomic Energy Agency reactor safeguards regime.

Xenon and argon detectors of very similar design also have excellent neutron and gamma ray detection and discrimination properties, and may assist with missions related to the timely discovery and characterization of fissile materials in arms control and search contexts.

LLNL scientists and technicians have made important contributions to LUX.

Lab staff physicist Peter Sorensen has directed the LUX Analysis Working Group, spent months at the site helping to install the detector, and has written numerous peer-reviewed articles on how to perform searches for a range of dark matter candidates using LUX and related detectors.

Fellow LLNL staff physicist Kareem Kazkaz is the author of the LUX detector simulation package, known as LUXSIM, and has directed the Simulations Working Group for the project. The simulation software embodied in LUXSIM is uniquely well suited for low background detectors of this kind, and has been picked up by other users in the dark matter and nonproliferation communities.

LLNL technicians John Bower and Dennis Carr (who is now retired) both played key roles in the manufacture and installation of elements of the LUX detector, including building the precision-machined copper photo multiplier tube mounting apparatus. Lab safety engineer Gerry Mok performed detailed calculations demonstrating the safety of the LUX pressurized and cryogenic systems under a range of possible accident scenarios. His work was important to the successful safety review of the LUX detector.

The Sanford Underground Research Facility (Sanford Lab), located in the former Homestake gold mine, is owned and operated by the South Dakota Science and Technology Authority, with support from the Department of Energy and the DOE's Lawrence Berkeley National Laboratory. The LUX scientific collaboration includes dozens of scientists at 17 research universities and national laboratories in the United States and Europe.

The LUX detector took more than three years to build in a surface facility at the Sanford Lab. In July, a team of researchers, engineers and technicians installed the detector in an excavated cavern 4,850 feet underground. Nearly a mile of solid rock will protect the sensitive experiment from the shower of cosmic radiation that constantly bombards the surface of the earth. Cosmic radiation would drown out faint dark matter signals if the detector were on the surface.

LUX also must be protected from the small amounts of natural radiation from the surrounding rock. That's why the detector, which would just fit inside a telephone booth, was lowered into a very large stainless steel tank -- 20 feet tall by 24 feet in diameter. That tank has now been filled with more than 70,000 gallons of ultra-pure de-ionized water that will shield the detector from gamma radiation and stray neutrons.

###

For more information about the Sanford Lab, go to www.sanfordlab.org

Founded in 1952, Lawrence Livermore National Laboratory provides solutions to our nation's most important national security challenges through innovative science, engineering and technology. Lawrence Livermore National Laboratory is managed by Lawrence Livermore National Security, LLC for the U.S. Department of Energy's National Nuclear Security Administration.


[ Back to EurekAlert! ] [ | E-mail | Share Share ]

?


AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.


Source: http://www.eurekalert.org/pub_releases/2012-11/dlnl-lsa111512.php

dez bryant Kitty Wells Marissa Mayer Jon Lord weather.com Colorado shootings dark knight rises

Vodien Adds New Web Hosting Packages - hostingBlender - Web ...

(The Hosting News) ? Individuals who have just started their online business and who have a tight web hosting budget need not worry anymore. Vodien Internet Solutions has announced a new range of web hosting plans that are their most affordable web hosting packages yet.

The?Singapore web hosting company has a wide array of web hosting plans to provide the best website performance to each of their clients. These web hosting plans are affordable and yet incredibly powerful, such that they can easily handle the traffic that typical website applications and emails experience.

These hosting plans are very easy for people to begin using, since it each plan includes video tutorials on how to set up the hosting account. If in case clients still have problems with the web hosting setup, Vodien?s team of web hosting experts are ready to provide assistance, 24?7.

?Our company is, and will always be here to support our customers, because each and every one of them is valuable to us. We have a wide range of web hosting plans: our clients can choose from basic hosting, cloud hosting, dedicated hosting and even reseller hosting, which is a web hosting product that can help our customers create an income stream for themselves.? This is according to Bill Poh, founder of Vodien Internet Solutions. Furthermore, says Bill Poh, ?Our hosting packages are also affordable. We understand that our clients may have a tight budget, especially if they are just starting their business. We provide our clients with the ability to easily upgrade plans once they are ready to jump to the next tier.?

One of the hosting company?s most popular hosting plans is their?VPS hosting packages. With this, clients have full control of their hosting environment, especially about installing software and libraries that they require. This breaks them free of the typical restrictions that shared web hosting packages normally have. Clients can choose from different VPS packages, ranging from vpsValue to vpsUltimate.

Vodien Internet Solutions has shown that they have the best web hosting at an affordable price, yet are guaranteed to be powerful and reliable.

Vodien Adds New Web Hosting Packages

Source: http://www.hostingblender.com/web-hosting-news/vodien-adds-new-web-hosting-packages.html

Lolo Jones Aly Raisman Marvin Hamlisch Megan Rossee NASA grenada grenada

Dwyane Wade wears tight pants in LeBron James Twitter photo - Really tight pants

dwyane-wade-tight-pants-lebron-james-twitter.jpgDwyane Wade is known around the NBA for being one of the flashiest dressers in the league. So it was no surprise when his Miami Heat teammate, LeBron James had something to say about his buddy's super tight pants on a team bus ride.James tweeted a photo of the 6'4" point guard rocking some shiny pants so tight they border on being classified as jeggings. LeBron's caption reads: "My boi @thewayofwade taking fashion to a whole new level with these..."At 1,700 plus retweets, and nearly a thousand favorites, it seems Wade's latest fashion statement is a bigger hit than his hot pink pants of yore.

What do you think? Is Dwyane pulling off the skinny jeans? Or should he leave this look to the rockers?

Photo/Video credit: Twitter

'; if (data.results.schedules != null && data.results.schedules.length > 0) { html += '

ON TV:

'; html += ''; jQuery.each(data.results.schedules, function(){ dateString = this.date.split("-"); timeString = this.time.split(" "); var d=new Date(dateString[2], dateString[0]-1, dateString[1], timeString[0].split(":")[0], timeString[0].split(":")[1], 0, 0); date = new Date(dateString[2], dateString[0], dateString[1]); html += ''; showTitle = this.title; var shortTitle = jQuery.trim(showTitle).substring(0, 25) .trim(this); if (previous != null && previous == this.link) { html += ""; } else if (this.programType == "MV") { html += '' + shortTitle + ''; } else if (this.episodeTitle != null) { html += '' + shortTitle + ''; } else if (this.showcardLink != null) { html += '' + shortTitle + ''; } else { html += '' + shortTitle + ''; } var titleCount = showTitle.length; if (titleCount > 25) { html +="..."; } html += '
'; month = date.getMonth() + 1; html += days[d.getDay()] + " " + (d.getMonth() + 1) + "/" + d.getDate() + " " + timeString[0] + " " + timeString[1] + " " + data.results.schedules[0].timezone; html += ' '; if (this.callsign != null) { html += '(' + this.callsign + ')'; } else { html += "Check Local Listings"; } html += ''; previous = this.link; current++; if (current == total) { return false; } }); html += ''; } html += '

Source: http://blog.zap2it.com/pop2it/2012/11/dwyane-wade-wears-tight-pants-in-lebron-james-twitter-photo---really-tight-pants.html

abc store nate diaz vs donald cerrone ufc 141 lesnar vs overeem appetizer recipes alistair overeem alistair overeem

Galaxy Pizza on School Lunch Menu for Friday, Nov.16

All students have a choice of milk.

Elementary

Choice of One Entre?e:

  • Galaxy Cheese Pizza (vegetarian)
  • Galaxy Pepperoni Pizza
  • Beef-a-roni

Choice of one to three sides:

  • Mixed Green Salad
  • Whole Kernel Corn
  • Pear Halves
  • Fresh Tangerine

Middle School

Choice of One Entree:

  • Galaxy Cheese Pizza (vegetarian)
  • Galaxy Pepperoni Pizza
  • Fish Sandwich
  • Spicy Popcorn/Breadstick

Choice of one to three sides:

  • Mixed Green Salad
  • Whole Kernel Corn
  • Pear Halves
  • Fresh Plums
  • Peas & Carrots

Grab N Go: Fresh Turkey Sub

High School

Choice of One Entre?e:

  • Galaxy Cheese Pizza (vegetarian)
  • Galaxy Pepperoni Pizza
  • Chicken Strips/Breadstick
  • Sloppy Joe
  • Fish & Shrimp

Choice of one to three sides:

  • Mixed Green Salad
  • Whole Kernel Corn
  • Pear Halves
  • Fresh Fruit Bowl
  • Peas &Carrots
  • With: Oatmeal Raisin Cookie

Grab N Go: Charbroiled Chef Salad

Source: DeKalb County Schools

See also: A list of Stone Mountain Schools

Source: http://stonemountain.patch.com/articles/galaxy-pizza-on-school-lunch-menu-for-friday-nov-15

the voice When Is Veterans Day 2012 brooke burke jennifer lawrence Alexa Vega Bram Stoker books Paula Broadwell Photos

Philip Kerr to Pen Screenplay for "The Poison Kitchen"

LOS ANGELES (TheWrap.com) - British author Philip Kerr has come on board to write the screenplay of Constantin Film's "The Poison Kitchen," based on the chapter of the same name from Ron Rosenbaum's best-selling book "Explaining Hitler."

Set in 1920s Munich, the story chronicles the rise of the Nazi Party through the eyes of the journalists at The Munich Post, who published anti-Nazi articles and tried to expose them as organized criminals. The journalists got under the Nazis' skin so deeply that Hitler referred to them as "The Poison Kitchen" for cooking up lies about him.

Kerr's vast body of work includes the Bernie Gunther thriller novels, which include "March Violets", "The Pale Criminal" and "A German Requiem", as well as many children's books penned under the name P.B. Kerr. Kerr has also written non-fiction books.

As previously announced, Robert Schwentke is attached to direct.

Constantin Film Co-president Robert Kulzer and VP of Development & Production Margo Klewans will produce. Martin Moszkowicz, Constantin Film's head of film & TV, will executive producer.

Kerr is represented by CAA and A.P. Watt in the UK; Schwentke is repped by CAA.

Source: http://news.yahoo.com/philip-kerr-pen-screenplay-poison-kitchen-001256464.html

kareem abdul jabbar miramonte elementary school mark jenkins super bowl commercials 2012 mia amar e stoudemire m.i.a.